There’s a lot of talk about Slow Fashion right now but I think it can be difficult to figure out exactly what that means to each of us. I think it is about a lot more than just fashion, but fashion is one entry point into a way of thinking more about how we consume and how we participate in the world.
But specific to fashion what exactly is SLOW? I recently found Fashion Revolution on instagram (@fash_rev) and starting following them for their interesting posts and when they offered the second print issue of their magazine I snapped it up.
This zine turns out to be a great guide to finding your place in Slow Fashion. It contains all kinds of helpful tips on recycling, caring for fabrics, mending and editing your wardrobe. As well as info on the life cycle of garments, the truth about the secondhand clothing industry, and new designers making a difference.
They really focus on mending and cleaning clothes to make them last longer and that is great, I’m all for that. But I wish people would talk more about handmade. Weather you learn to make your own clothes or you hire a local sewist to make them for you, handmade is a great way to find clothes that express your style, last longer, fit your body and have a deeper meaning. Rather than the short lived high you get from shopping handmade clothing is an experience. There is nothing slower than handmade!
This week I got a request for the most unusual sewing job I’ve ever had. Based on a tattoo his girlfriend has, a client needed a Scott Tracy outfit made for a Hello Kitty doll. Scott Tracy is a fictional character from the TV series Thunderbirds, which I had never heard of but was happy to take on the job. I’ve never made an outfit for a Hello Kitty doll; while I always enjoyed making clothes for my Barbies when I was younger, apparel for dolls is not exactly my forte. Hello Kitty’s proportions are fairly strange, which posed some interesting problems to be solved. It’s safe to say that this is one of the most unique jobs I’ve ever done, and I enjoyed the change in pace.
My super talented friend Margot Madison designed these amazing new business cards for me. They are so lovely. I am really NOT a graphic designer and I just couldn’t figure out how to get great business cards, so I asked for help and the results were perfect. I have finally learned the lesson to get help with the things that are just not in my skill set.
If I could afford the Comme des Garcons trench (FW/09) I would buy it. I would buy one in every color and style. This coat makes me want to cry.
OK, I’m a bit over dramatic but what the hell. So of course on my student/designer for hire/can I shorten some pants for you salary, I could never afford a coat that would cost more than what I paid for my car. So I headed out to my favorite thrift in search of clothing that could be turned into something resembling the coveted trench.
I lucked out big time. First I found a short mens trench that was a great color and weight but also had the most amazing brass buttons. In the women’s section I found a long red and black wool blanket skirt.
I had to take the jacket body and sleeves in quite a bit because they were both really wide. Then I chopped off about 12″ of the length and removed all the buttons, pockets and plackets. I reattached about 5″ of the length including the original hem to form a really straight, thigh length coat.
Then I draped the skirt around and under the coat until I had an idea about how to cut it. I used the waste band of the skirt as a scarf around the collar and the fringe from the front of the skirt to trim the lapel and left front. I trimmed up the rest of the skirt into a rectangle and then cut a square from the center of the cut edge, basically making a horse shoe shape out of it. Then I took the horse shoe shape by the inside corners and stretched it out so that it formed a straight line at the top with the corners of the original rectangle hanging down all pointy and uneven. Get it? Kind of tricky to explain, but it worked! I sewed the pockets and buttons back on, reattached the lining and tried it on.
I’m happy with it. It’s not quite as amazing as the original but it is definitely my style, I think it looks like something I would make and wear — it’s more me than the Comme version. I am tempted to get into my feelings about copying other designers work, which are mixed. But I’m just not in the mood, I just want to enjoy my new coat and this snowy day.
Muslins are ugly, they just are. So bland and colorless. When I make one I can appreciate the beauty in it, well, because I made it. But it takes a lot of imagination to see the final garment in a beige mass of unbleached cotton. For example, here is a snap shot of a muslin, a sketch of the same coat and swatches of the fabric that the final coat will be made from.
I think seeing the sketch and fabric makes things a little clearer, no?
With all of that said here are some more snap shots of muslins on the models from our recent critique.
This shirt dress has a row of buttons and button holes on each side so that it can be buttoned right over left or left over right. Sewing in sleeves is a real pain, especially when you know you are going to have to do it many, many times. That is why some of these shirts only have one sleeve. My sleeves also have a lot of detail in them so I tend to only make one in the muslin.
This hat is actually in final fabric, it’s the first hat of hopefully many.